Skeptical – Something In The Sound [Exit Records]

14 01 2015

EXIT 054

It’s not often we cover dubstep here on the Dojo but we’re making a rare exception here for three reasons; Skeptical, Exit Records, and sheer quality respectively. Skeppy’s new 10″ harnesses the spirit of early releases (before the tearout crew crucified the genre with endless wobble and horrible midrange noises) and blends it with the man’s talent for huge booming sub and punchy drums. Think early Tempa or DMZ but with the benefit of another ten years of engineering – formidable stuff.

Something in the Sound carries more energy with plenty of low end muscle and tasty percussion fills to shuffle the track along at as much of a pace as you’d expect for dubstep, while Talk The Talk thins out the drums to let the bass breath through a plodding kick/snare riddim. Check out the clips below and keep your eyes peeled if you want a copy – the release is vinyl only and already appears to be sold out at the Exit Store.


Skeptical – Imperial EP [Exit Records]

7 01 2015

EXIT 053

Having contributed releases for both Mosaic LPs, collaborated with dBridge and of course played a part in the seminal Marka single, it seemed only a matter of time til Skeptical dropped a solo release for Exit. Fans of all things dark and minimal in the 170BPM sphere will be glad to hear that that time is now, with young Skeppy dropping four new beats for dBridge’s esteemed imprint in the form of the Imperial EP.

The titular Imperial opens things up with a tight, percussive groover with a tribal vibe; with the exception of some fairly sparse strings this track pretty much entirely ignores melody in favour of a wall of sub bass and a hypnotic drum line, rattling away in a trance inducing fashion. Don’t bother listening to this on a pair of iPod headphones; you’ll need some fairly serious speakers to give it a fair hearing.

Playground Chat Back keeps the minimal aesthetic but strips the beat back and plays with some pretty robotic bass hums; once again the low end heft is definitely gonna induce a few screwfaces in the dance. Instant Reflex ups the energy a bit with tons of movement in the bass samples and massive kicks and snares driving the track along nicely, while Delusions of Grandeur closes things out with a growling, angular half-stepper. Watch out for these dropping January 19th on vinyl and digital, and arm yourself with some low end weaponry!

Top Tracks of 2014

31 12 2014

Following our run down of our favourite albums of the year, we felt it was only right to put the spotlight on our top tracks. These are the ten tunes that haven’t left our record box since their release…

Read the rest of this entry »

Chimpo – Out An Bad EP [Exit Records]

5 10 2014

Exit Records continue to push the experimental sounds on the edges of 170BPM territory with a brand new EP from Manchester MC/producer Chimpo. Restless Leg Syndrome kicks the EP off with rapid fire footwork infused beats and vocal snippets, paired up with a cheeky rave stabs and hefty sub hits – bouncin’ stuff. Haymaker heads for darker and slightly less frantic territory with warm bass growls and a half-time rhythm, while title track Out An Bad sees the man providing vocals in his usual playful style over a tasty beat which owes some of its stylings to the LA Bass scene.

The EP also finds space for two collaborations with Diffrent alumni Fixate, both of which play with a fusion of dub, soca, trap and hip-hop to pretty stomping effect. Overall fans of the “slowfast” 170 style currently gaining traction in the scene will definitely enjoy this EP; check out the clips below and grab it on vinyl and digital from your favourite store now.

Fracture – Loving Touch EP [Exit Records]

3 07 2014

The ever enjoyable beats of Charlie Fracture touch down on dBridge’s Exit Records imprint, continuing his leftfield explorations of the 170 sound. Title track Loving Touch (which absolutely went off when I heard dBridge drop it at Glastonbury last weekend) blends old school D&B bass, footwork drum patterns and the irresistible vocal hook from a Chicago house classic. Apparently it was conceived in a dream; we’re not sure if that’s entirely true, but it’s a cracking track and no mistake.

Elsewhere on the EP we’re treated to a stripped-back drum workout on Werk It, twisted, bouncing dub vibrations with more than a hint of jungle on Overload and cheeky Sam Binga collab which keeps the syncopations rapid and the subs massive to close out the EP. As usual Exit are the ones to watch when it comes to pushing the envelope; check out the beats below and grab this one on vinyl or digital now.

Alix Perez – U EP [Exit Records]

30 03 2014

EXIT50 sleeve front

The release of Alix Perez’s second album for Shogun last year came as a disappointment to me – it felt like he’d been lured into the mainstream by the appeal of fame and fortune, with many of the tracks sounding completely unlike the style he’d been carving for himself in the D&B scene. News of an EP for Exit buoyed my hopes that he still had interesting tunes in him, and the results more than confirm that suspicion.


The influence of other electronica pervades the tracks on the EP, with trap, footwork and LA bass all playing into the sound, but thankfully the tracks make the influences their own rather than just copycatting new styles. kicks things off with a breakneck take on the trap/footwork drum pattern and a smattering of cut up vocals, while Stray collab Sludge drops the tempo in favour of a gigantic, stalking, EPROM-style bassline; serious head-nod business.

The footwork influence comes full circle on Make It Worth as the original pioneers of the style Rashad & Spinn get in for a collab. The heavy sub and frantic syncopations oft associated with the genre are present, but with a level of polish which only D&B producers seem able to achieve. The vocal hook ices the cake nicely; no doubt this will be huge both in and out of the 170 scene. Last up the appropriately named Gully Halves strips things back for another minimalistic sub-fuelled slice of electronica that simply oozes with the swagger of the LA bass scene.

Watch out for this one dropping on vinyl and digital from April 7th – preorders are available from Surus now.

January Mixtape Roundup

4 02 2014

With February now upon us it seemed like time to round up the best mixes that have been on the DNB Dojo stereo over the last month. First up, Philth’s epic length 2 hour retrospective of his favourite tunes of 2013 delivers the goods and then some. Focusing on the dark and techy but with nods to the best liquid and experimental tunes of the year alongside plenty of the man’s own productions, this one is a treat from start to finish.

Next up we’ve got a half hour guest mix from Stray for Rockwell’s BBC Radio One show. Unsurprisingly given Stray’s recent output the mix is full of experimental, highly syncopated beats with hordes of material from Exit Records included as well as some tasty dubplates.

Finally Lifted’s Chris Renegade rounds up the best neurofunk of 2013 with a heavy selection of tunes from the like of Aeph, Memtrix and Chris.Su. Nice!